Shrinathji Temple is a hindu temple dedicated to Shrinathji in Nathdwara. It is considered an important pilgrimage centre by Vaishnavs. The idol of Shrinathji is said to be self-manifested. The idol of the Lord Krishna was being transferred to a safer place from Vrindaban to protect it from the anti-Hindu, iconoclastic and barbarian destruction of the Mughal ruler Aurangzeb by a Goswami priest. When the idol reached the spot at village Sihad or Sinhad, the wheels of bullock cart in which the idol was being transported sank axle-deep in mud and could not be moved any farther. The accompanying priests realised that the particular place was the Lord’s chosen spot and accordingly, a temple was built there under the rule and protection of the then Maharana Raj Singh of Mewar. Shrinathji Temple is also known as ‘Haveli of Shrinathji’ (mansion). The temple was built by Goswami priests in 1672.
Presently, Shrinathji is worshiped by priests from this kul (genealogical descendants) of Vallabhacharya, in all Havelis around the world, which have also been established exclusively by them. Economy and livelihoods in Nathdwara town revolve around the Haveli, the term used for the temple probably because it was situated in a fortified mansion, or Haveli, once a royal palace of the Sesodia Rajput rulers of Mewar.
Structure and Design of the Temple
The temple has been designed in the lines of temple of Nanda Maharaj (Krishna’s father), in Vrindavan. Therefore, it is also known as Nanda Bhavan or Nandalaya (the House of Nanda). Structurally, a kalasha on the sikhara marks the top of the temple, on which seven flags are flown along with the Sudarshana Chakra. The seven flags represent the clothes of the seven sakhis (Companions) of Krishna. The temple is also popularly called Shrinathji ki Haveli (House of Shrinathji) because like a regular household. It has a chariot for movement (In fact the original chariot in which Shrinathji was brought to Singhar), a store room for milk (Doodhghar), a store room for betel (Paanghar), a store room for sugar and sweetmeats (Mishrighar and Pedaghar), a store room for flowers (Phoolghar), a functional kitchen (Rasoighar), a jewellery chamber (Gahnaghar), a treasury (Kharcha bhandaar), a stable for horses of chariot (Ashvashala), a drawing room (Baithak), a gold and silver grinding wheel (Chakki).
The Nathdwara temple has subsidiary temples dedicated to deity Madan Mohan and Naveet Priya, located in the main complex.
The Image of Shrinathji
Shrinathji symbolizes a form of Krishna, when he lifted the Govardhan hill, with one arm raised. The image in the form of a single black marble, where the lord is revealed with his left hand raised and the right hand made into a fist resting at the waist, with a large diamond placed beneath the lips. The idol is carved in Bas-relief out of a monolithic black marble stone, with images of two cows, one lion, one snake, two peacocks and one parrot engraved on it and three sages placed near it.
The iconography at the temple has given birth to Nathdwara Paintings.
Festivals and Rituals at the Temple
Devotees throng to the shrine in large numbers during occasions of Janmashtami and other festivals, like Holi and Diwali. The deity is treated like a living image, and is attended with daily normal functions, like bathing, dressing, meals called “Prasad” and the resting times in regular intervals. Since, the deity is believed to be the infant Krishna, accordingly, special care is taken. The priests in all Havelis are believed to be from the kul (descendants) of Vallabhacharya, the founder of this deity’s idol at Govardhan hill, near Mathura.
The main attractions are the Aartis and the Shringar, i.e. the dressing and beautifying of the idol of Shrinathji which changed seven times daily, treating it as a living person, adorning it with the appropriate dresses for the time of day or night. The intricately woven shaneels and silk clothe have original zari and embroidery work on them, along with large quantities of real precious jewellery. The formal prayers are offered with diya, incense sticks, flowers, fruit and other offerings, with local instruments and devotional songs of the Shrinathji, according to the demand of the time and occasion. The view of the idol after the parda (curtain) is removed is called jhakhi.
Shri Nathdwara Temple Board manages the temple of Shrinathji & other facilities at Nathdwara. Nathdwara Temple Board is a Public Religious and charitable Trust established and constituted under The Nathdwara Temple Act 1959 (Act No.13 of 1959). It received the assent of the President Government of india on the 28 th day of March, 1959, An Act to provide for the better administration and governance of the Temple of Shrinathji at Nathdwara.
Timing of temple open changes every day (please check before going)
|Mangla||05:15 to 06:00|
|Shringar||07:10 to 07:40|
|Gwal||09:10 to 09:40|
|Rajbhog||11:15 to 12:15|
|Uthapan||03:30 to 03:50|
|Bhog||04:30 to 04:50|
|Aarti||05:10 to 06:00|
|Shayan||07:00 to 07:35|
Shri Nathdwara temple board has various accommodation facilities around temple. These accommodations can be booked online as well as at trust office.
Lalbagh at Nathdwara
Lalbagh is a beutiful garden situated only one KM away from the town and on the other side of Mt. Giriraj was renovated a couple of years back and now is a pleasant place to visit for the tourists and residents. Fountains and lighting are place at various parts of Lalbagh to make it more attractive.
Lalbagh also has one museum inside its premises, which holds many antique ancient accessories and vehicles of Thakurji. The museum is called SHREEMAD VALLABH SANGRAHALAY.
Artists of Nathdwara
Nathdwara Artists are a group of artists working around the precincts of the famous Nathdwara temple. They are renowned for splendid Rajasthani-style paintings, called “Pichwai Paintings”, belonging to the Mewar School. The paintings revolve around the image of Shrinathji, the enigmatic black-faced figure of Krishna, who is shown holding up Mount Govardhan. Over the centuries, these artists have produced a work of gorgeous illustrations. Several authoritative books have been published on this subject.
Apart from Pichwai Paintings, the artists also produce small-scale paintings on paper. Themes from Krishna legend predominate.